When he works with Johnta Austin and Stargate, out comes young courtship fodder that is boyish enough to be reinterpreted by squeaky clean American Idol contestant David Archuleta ('You're my sweetheart and I'm so glad that you're mine') switch the collaborators to Jazze Pha and Lil Wayne, and you get come-ons like 'You like 28s on a Hummer/'Cause you the number one stunner' and 'That's it, babygirl/Put it on my zipper.' The two modes have had a popularity-maximizing effect, to say the very least. Brown's second act, released almost exactly two years after his first, takes a 'don't fix it if it ain't broke' approach, offsetting the innocent and age-appropriate material with a handful of songs that are squarely placed within lil' Lothario territory. Two other songs from Chris Brown's debut album were moderate to major hits, enabling the entertainer to become a popular music star with platinum sales, not just a brief crush for thousands upon thousands of tween-aged females.

The instant number one hit 'Run It!' proved to be no fluke.

Chris brown wall to wall album cover